SAD | SVĚT A DIVADLO

Úvodní stránka | Ferdinand Vanek Award 2017 | A Breathing Exercise | Varvara Fajer - about the author

Varvara Fajer - about the author

Varvara Fajer
Her true name is Galina Siňkina. She was born in 1965 in Moscow. In 1993 she finished her studies of journalism at Peoples’ Friendship University of Russia (RUDN) and after that she studied film direction at the Gerasimov Institute of Cinematography (VGIK), where she graduated in 1999. Three years later she met Michail Ugarov and Elena Gremina, the founders of Teatr.doc, who significantly influenced her work. As a participant of the first seminars on verbatim theatre, organized by British playwrights in Moscow, she got interested in documentary methods since she could use her university background in journalism. Her play Crimes of Passion (Prestuplenia strasti) from 2002 was based on face-to-face conversations with women prisoners. She directed her first authorial project and played the main character.
In the same year she made a documentary film about the founder of Teatr.doc called Michail Urgov. Documentary Theatre. In 2004 she directed a documentary play by Jelena Isejevova The Third Grader Aloysha (Tretjeklassnik Aljoša). In 2004 and 2005 she acted in Teatr.doc productions Sober PR (Trzevyj PR) and September.doc (Sentjabr.doc). In 2006 she was awarded for direction at the Holywood festival Docs without Borders Film Festival (DWBFF) for the film Unusual (Osobennaja) about a prisoner, who was set free because she wrote a successful theatre play.
In 2011 she started to focus on political drama, in Joseph Beyus Theatre she directed the stage reading Ulicka- Chodorkovskij. Correspondence (Ulickaja – Chodorkovskij – Perepiska).In 2012 she directed several plays at Teatr.doc, in which direct witnesses of the events presented themselves (the so-called witness spectacle – svidětělskij spektakl): What happened to my Friend. The Case of Leonid Razvozžajev (Slučaj s mojim drugom. Dělo Leonida Razvozžajeva), A Rude Court. A Continuation. (Chamsud.Prodloženie), Pussy Riot. A Continuation. (Pussy Riot. Prodloženie). Her most significant work in 2012 was the adaptation of Dario Fo’s Double-Headed Anomaly and the production BerlusPutin. Despite being banned from all theatres in Russia, she earned a nomination for BerlusPutin in the category of experiment at the festival Golden Mask. Her next controversial play Bath Attendant (Banščik), which she wrote together with the actors at Pskovsk Theatre in 2015, was also banned and never performed. At present it is possible to see her plays Aunt Katya’s Watercolours (Akvareli tjoti Kati) and Spruce. Andersen (Eľ. Andersen) at Teatr.doc.

BACK

DĚKUJEME

MEDIÁLNÍ PARTNEŘI

We use cookies on our website to give you the most relevant experience by remembering your preferences and repeat visits. By clicking “Accept”, you consent to the use of ALL the cookies. However you may visit Cookie Settings to provide a controlled consent.
×
Cookie settings

This website uses cookies to improve your experience while you navigate through the website. Out of these cookies, the cookies that are categorised as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyse and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may have an effect on your browsing experience.

Necessary

Necessary cookies are absolutely essential for the website to function properly. These cookies ensure basic functionalities and security features of the website, anonymously.

Analytics

Analytical cookies are used to understand how visitors interact with the website. These cookies help provide information on metrics the number of visitors, bounce rate, traffic source, etc.

Performance

Performance cookies are used to understand and analyse the key performance indexes of the website which helps in delivering a better user experience for the visitors.

Advertisement

Advertisement cookies are used to provide visitors with relevant ads and marketing campaigns. These cookies track visitors across websites and collect information to provide customised ads.