SAD

first issue of XXIX. volume
SAD 2/2018
was published in April

 



 










/for detailed summary, please click on the picture/

 

Miroslav Petříček
THE TAILR RE-TAILORED

     Thomas Carlyle: Sartor Resartus

Karel Haloun
WRITING (OR MESSAGES FROM STREETS, SQUARES, CARRIAGES, UNDERPASSES AND TOILETS 2/6)

Mary Abra
HOW TO SHOWEL SHIT WITH THE TIDE?

Paul Wernicke
POLITICIANS GOOD AND EVIL INTENTIONS

Barbora Etlíková
DECAYED BLOSSOMS OF ANCESTORS
(Saldo Mortale, dir.: Lucie Repašská, Depog + Sakurambo, didir.: L.Repašská, Depog)

WORK TO YOUR UTMOST PEAK AND THEN POP OFF
(with Lucia Repašská about D’epog Theatre)


Markéta Polochová
THREE TIMES IN OSTRAVA
(Reza: Art, dir.: Vojtěch Štěpánek, Komorní scéna Aréna; Havel: Memorandum, dir.: V.Štěpánek, Komorní scéna Aréna; Vůjtek: Reconcilliation, dir.: Ivan Krejčí, Komorní scéna Aréna)

Pavlína Hořejšová
TWO EXPERIMENTS FROM DEJVICE
(Krobot, Smékal: Honey, dir.: Miroslav Krobot, Dejvické divadlo a La Putyka; Havelka a DD: The Murder of Gonzago, dir.: Jiří Havelka, Dejvické divadlo)

Josef Rubeš
MARYSHA – THE ORDER REMAINS THE SAME (THREE TIMES CZECH CLASSIC)
(Maryša – live, dir.: Štěpán Gajdoš, Studio Damúza v kavárně Ňáký kafe; Mrštíkové: Maryša, dir.: Jan Mikulášek, Národní divadlo; Mrštíkové: Maryša, dir.: Jana Ryšánek Schmiedtová, Divadlo Petra Bezruče)

Hana Strejčková
THE ERROR AS A STARTING POINT
(Vít Neznal and kol: The Error)

Kateřina Veselovská
THE PICTURE OF PICTURES PICTURE (THOMAS MONCKTON’ CLOWNING AT JATKA)

(Thomas Monkcton: The Artist, dir.: Sanna Silvennoinen, Thomas Monckton and Circo Aereo)

Jozef Červenka
BRITTENIAN GESAMTKUNSTWERK (BILLY BUDD AT THE NATIONAL THEATRE)
(Britten: Billy Budd, dir.: Daniel Špinar, cond.: Christopher Ward, Národní divadlo)

Jakub Škorpil
WOMAN FOR WOMAN (BARD IN TIMES OF #METOO)
(Shakespeare: Measure for Measure, dir.: Jan Klata, Divadlo pod Palmovkou)

THE ART IS COMPULSORY  LIKE VACCINATION
(interview with Jan Klata)

Karel Král
PROMOTION AND DEGRADATION (ON 16. EUROPE THEATRE PRIZE)
(Pinter: Dust to Dust, Isabelle Huppert and Jeremy Irons, Teatro Argentina; Shakespeare: King Lear, dir.: Giorgio Barberio Corsetti, Teatro di Roma – Teatro Nazionale and Teatro Biondo di Palermo; Shakespeare: Richard II., dir.: Peter Stein, Teatro Metastasio di Prato; Sciarroni: UNTITLED_I will be there when you die, Marche Teatro – Tetro Stabile Pubblico; NO43 Kõnts, dir.:Ene-Liis Semper and Tiit Ojasoo, Teater NO99; Ronen & Ensemble: Roma Armee, režie Yael Ronen, Gorki Theatre Berlin; Die Selbstmord-Schwestern/The Virgin Suicides, dir.: Susanne Kennedy, Münchner Kammerspiele; Müller: Hamletmachine, dir.: Robert Wilson, Academia Nazionale dArte Drammatica Silvio dAmico)

Dominika Široká
AFTER THE END OF HISTORY (EXTREMISM AT LESSINGTAGE 2018 FESTIVAL)
(Beranger: 1993, dir.: Julien Gosselin, Théâtre National de Strassbourg; Clean City, dir.: Anestis Azase and Prodromos Tsinikoris, Onassis Cultural Centre – Athenes)

Tereza Pavelková
ONCE WALCZAK, ONCE DURNENKOV
(Michał Walczak and Michail Durněnkov: D1W1, dir.: Šimon Dominik, Spolek Kašpar – Klubovna)

CULTURE IS NOT VINEAGAR PRESERVING A TRADTITION 
(interview with playwright Michail Durnenkov)

MICHAIL DURNENKOV
THE WAR HASN
T STARTED YET

Petr Vydra: THE VOICE

EGON TOBIÁŠ
Titanium Stalks II