SAD

first issue of XXXI. volume
SAD 1/2020
was published in March

/for detailed summary, please click on the picture/
 

Miroslav Petříček
ON TRUTH, LIES AND HYPOCRISY
       MICHEL DE MONTAIGNE: ON CRIPPLES AND ON LIARS

Petr Fischer
THE NANOOK EFFECT OF TRUTH
documentary epistles – introduction

Yves Grignard
THE PUPPET AS A MODEL OF INDIVIDUALITY

Cholat Sjachyl
A TWO-HEADED GIRL CONQUERS THE WORLD

THEATRE CRITICS’AWARDS
performance oft he year, actor and actress oft he year, theatre of the year, best first time produced Czech play, scenography, music and talent oft he year

THE CRITICS’SURVEY
in all categories including the biggest experience of foreign production

Jakub Škorpil
NATIONAL SIMULATION (NOT ONLY VELVET SIMULATION)
(THE VELVET SIMULATION, project of National Theatre in Prague, Vosto5 and 8Lidí: Tribune, concept by Ondřej Cihlář, Divadlo Archa, 2019; Federal Parliament, concept and directed by 8lidí, New building of National museum in Prague, 2019; Cabinet, directed by Jiří Havelka, Nová scéna Národního divadla, 2019; Jiří Havelka and col.: No Show Tonight, directed by J.Havelka, Slovenské národné divadlo, 2019)

Iva Heribanová
THE TEXT AS A POWER WEAPON (FIRST LADIES AT HADIVADLO)
(Werner Schwab: First Ladies, directed by Kamila Polívková, HaDivadlo, 2019)

Marie Zdeňková
OEDIPUS BIG AND SMALL (OEDIPUS REX)
(Sofoklés: Oedipus Rex, directed by Jan Frič, Národní divadlo, 2019)

Barbora Etlíková
SEARCHING FOR ODDMENTS AND MYSTERIOUS ENERGY (ON /CZECHO/ SLOVAKIAN INDEPENDENT THEATRE)
(Divadlo Stoka: The Virus, directed by Blaho Uhlár, Divadlo Stoka, 2018; Peter Gonda and col.: A.T.I.S.M.I.A., directed by P.Gonda, Petrohradská kolektiv, 2019; Robinsons or You Can Experience Something Even in Letňany, concept and directed by Eliška Říhová a Jakub Šulík, Hunger and Taste Company; SERIES, SERIES, SERIES, SERIES, directed by Lucia Repašská, D’Epog, 2019; Andrej Kalinka: Eu.genus, directed by A.Kalinka, Honey and Dust Company, 2018; The Dark Night +- Images for Roe Deer, directed by A.Kalinka and Juraj Poliak, Honey and Dust Company, 2017)

Josef Rubeš
THE LIMITS OF LIVE CINEMA (MOVIE CAMERAS ON THE SECEN, ONCE IN BERLINE, THREE TIMES IN PRAGUE)
(Christiane Jatahy: Julia, directed by Ch.Jatahy, Sesc Copacabana Space Rio de Janeiro, 2011; Virginia Woolf: Orlando, directed by Katie Mitchell, Schaubühne Berlin, 2019; Witold Gombrowicz: Cosmos, directed by Ivan Buraj, Národní divadlo, 2019; Putin’s Agents, after book by Ondřej Kundra, directed by Petra Terjnorová, Temporary Collective, 2019)                                                   

Ester Žantovská
MORE PESTS AND FEWER ILLUSIONISTS FOR THE THEATRE
(Pests, by Wariot Ideal, 2019; Drain by Wariot Ideal, 2019; Illusionist, directed by Petr Forman, Wariot Ideal, 2019)

Vladimír Mikulka
LIKE A DINOSAURS (FOURTH MONKEY)
(Fourth Monkey, prepared by Veronika Švábová, Anežka Kalivodová, Tomáš Procházka, Jonáš Svatoš, Jakub Hybler, Ken Ganfield, Jan Dörner, Lukáš Jiřička, Jan Brejcha, Mikoláš Zika and Adam Pospíšil, Handa Gote research & development, .2019)

Blanka Křivánková
SEARCHING THE PROCURPINE AND FROM HEAVEN TO THE EARTH (CONSTELLATIONS III.MY SON LOOKING TO THE SUN)
(Spitfire Company: Constellations III. My Son Looking to the Sun, directed by The Death of an Author, Spitfire Company, 2019)

Jan Jiřík
NO LAND ON THE HORIZON (CAPRI BY LUPA)
(Krystian Lupa: Capri – An Island of Refugees, after books by Curzio Malaparte, directed by K.Lupa, Teatr Powszechny, 2019)

Eliška Raiterová
IN THE LAND OF SIMULAKRA (FEW NOTES ON THEATRE FESTIVAL IN CHINESE WUZHEN)
(Euripidés: Trojan Women, directed by Theodoros Terzopoulos, Attis Teatro, 2017; Bertolt Brecht: The Caucasian Chalk Circle, directed by Michael Thalheimer, Berliner Ensemble, 2017; Karamazovs, the fantasia of director Konstantin Bogomolov after novel of Dostoyevsky, Moskovskij chudožestvěnnyj těatr imeni A.P.Čechova, 2013)

Wolfram LOTZ
ON WRITING, CERAINLY: FOR THEATRE

TRUTH, LOVE AND THOSE OTHERS 1/6 - S.d.Ch.: Walpurgis Night’s Dream (no drama)

KLIMÁČEK DANGLÁR: TWINS 1 KLIMT’S ZIP
(fantasy comics about final battle between theatre and television in our as well as parallel world)

content of Svět a divadlo volume 2019