SAD

third issue of XXX. volume
SAD 3/2019
was published in May

/for detailed summary, please click on the picture/
 

Miroslav Petříček
FREEDOM AS IMAGINATION
     JEAN-PAUL SARTRE: THE IMAGINARY: A PHENOMENOLOGICAL PSYCHOLOGY OF VTHE IMAGINATION

Karel Haloun
SWEET HOPES, BITTER HANGOVER (THE POLITICAL POSTER IN THIS COUNTRY FROM THE END OF WWII TO THE PRESENT – 3/6)

Bohuslav Vrbenský
THE IMPORTANCE OF NUDGES IN SOCIAL NETWORKS

Kevin Glendalough
TO LIVE DADA (FROM PRAGUE PERFORMATIVE)

Blanka Křivánková
FURIOUS REBELLIONS AGAINST THE LOSS OF MEANING (HAKL AND TOPOL: TWO ADAPTATIONS AT NÁRODNÍ)
(Emil Hakl: The Visit, dir.: Jan Frič, Národní divadlo, 2018; Jáchym Topol: Nightwork, dir.: Jan Mikulášek, Národní divadlo, 2019)

Marek Lollok
A STRINGY ANNOUNCIATION (MARY’S CHOICE BY MILAN UHDE)
(Milan Uhde: Mary’s Choice, dir.: Juraj Nvota, Divadlo Husa na provázku, 2019)

Jakub Škorpil
A SIMULATION OF REALITY BY ANNA KLIMEŠOVÁ (FROM BARUNKA TO THE SOVREIGN)
(Anna Klimešová, Boris Jedinák, Klára Fleková, Mikoláš Zika and co.: Barunka is Leaving, dir.: A.Klimešová, KALD DAMU, 2017; Notes from Spare Times, dir.: A.Klimešová, KALD DAMU, 2018; Press paradox, 8lidí and KALD DAMU, 2018; The Sovreign, dir.: A.Klimešová, Městská divadla pražská, 2019)

NA FAUSTA! (A SURVEY ABOUT KLATA’S FAUST AT DIVADLO POD PALMOVKOU)
(with Josef Herman, Radmila Hrdinová, Josef Chuchma, Jana Machalická, Marie Reslová, Ondřej Škrabal and Jakub Škorpil)

Jan Jiřík
YOU WILL BE RELIEVED!(SECOND WARLIKOWSKI’S LEVIN)
(Hannoch Levin: We are Leaving, dir.: Krzysztof Warlikowski, Nowy Teatr Warszawa, 2018)

Jan Šotkovský
OLD, SAD TALES (LONDON MUSICALS – FROM DYLAN TO LLOYD-WEBBER)
(Connor McPhesrson – Bob Dylan: The Girl from the North Country, dir.: C.McPherson, Old Vic, 2017; Lin-Manuel Miranda: Hamilton, dir.: Thomas Keil, Victoria Palace Theatre, 2017; Anaïs Mitchell: Hadestown, dir.: Rachel Chavkin, National Theatre, 2018; Stephen Sondheim – George Furth: Company, dir.: Marianne Elliott, Gielgud Theatre, 2018; Andrew Lloyd-Webber – Julian Fellows – Glenn Slater: The School of Rock, Gillian Lynne Theatre, 2016)

Karolina Plicková
BREXIT VS. HONEY CRUMBS (SPEAK BITTERNESS BY FORCED ENTERTAINMENT)
(Forced Entertainment: Speak Bitterness, dir.: Tim Etchels, Forced Entertainment, 2014)

Michaela Mojžišová
CATHARSIS AND HAPPY ENDING (KAIN AND RUSALKA – CASTELLUCCI AND CARSEN)
(Alessandro Scarlatti: Caino overo Il primo omicidio, cond.: René Jacobs, dir.: Romeo Castellucci, Opéra national de Paris, 2019; Antonín Dvořák: Rusalka, cond.: Susanna Mälkki, dir.: Robert Carsen, Opéra national de Paris,2002)

MIROSLAV KROBOT AND ONDŘEJ HÜBL
DESTRUCTION  OF DEJVICKÉ DIVADLO

CRISIS, PRIDE, AIDS …AND BRNO (INTERVIEW WITH ONDŘEJ HÜBL)

Idil Nuna Baydar and her APOSTIL

EGON TOBIÁŠ
TITANIUM STALKS IX